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Music and the Regulatory Regimes of Gender and Sexuality in Tanzania

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dc.creator Sanga, Imani
dc.date 2016-03-14T12:01:25Z
dc.date 2016-03-14T12:01:25Z
dc.date 2011-07-18
dc.date.accessioned 2018-04-18T11:50:12Z
dc.date.available 2018-04-18T11:50:12Z
dc.identifier Sanga, I., 2011. Music and the Regulatory Regimes of Gender and Sexuality in Tanzania. Popular Music and Society, 34(3), pp.351-368.
dc.identifier http://hdl.handle.net/123456789/921
dc.identifier 10.1080/03007766.2010.522816
dc.identifier.uri http://hdl.handle.net/123456789/10627
dc.description This article examines the involvement of music in shaping people's gendered behavior in Dar es Salaam, Tanzania. Using Judith Butler's theory of gender performativity and the associated concepts of gender normalization and regulatory regimes of gender, the article analyzes how selected songs play a role in regulating individuals' gendered behavior and disciplining individuals who disrupt societal gender norms. It argues that composers of these songs employ accumulated gender norms from their societies. It also illustrates how the rhetoric and practice of building and maintaining national culture participate in regulating gendered and sexual aspects of musical performance in contemporary Tanzania.
dc.language en
dc.subject music
dc.subject Gender
dc.subject Tanzania
dc.title Music and the Regulatory Regimes of Gender and Sexuality in Tanzania
dc.type Journal Article, Peer Reviewed


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