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The practice and politics of hybrid soundscapes in Muziki wa Injili in Dar es Salaam, Tanzania

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dc.creator Sanga, Imani
dc.date 2016-03-14T12:46:32Z
dc.date 2016-03-14T12:46:32Z
dc.date 2010-11-15
dc.date.accessioned 2018-03-27T08:43:38Z
dc.date.available 2018-03-27T08:43:38Z
dc.identifier Sanga, Imani. "The practice and politics of hybrid soundscapes in Muziki wa Injili in Dar es Salaam, Tanzania." Journal of African Cultural Studies 22, no. 2 (2010): 145-156.
dc.identifier http://hdl.handle.net/123456789/924
dc.identifier 10.1080/13696815.2010.491329
dc.identifier.uri http://hdl.handle.net/123456789/3236
dc.description Full text can be accessed at http://www.tandfonline.com/doi/abs/10.1080/13696815.2010.491329
dc.description This article examines the practice and politics of music hybridization in Muziki wa Injili (Gospel Music) in Dar es Salaam, Tanzania. It shows that music hybridization in Muziki wa Injili takes place when musical sounds from one music culture travel through a number of cultural frontiers including temporal, spatial and genre-defined frontiers and enter into another music culture. In this process the travelling sounds are transformed as they encounter other sounds commonly used in the new music culture. The article argues that it is through these transformations or reconfigurations that the travelling sounds from other cultures are able to enter into the culture of Muziki wa Injili. By focussing on the politics of music hybridity, the article shows that music hybrids subvert the nativistic efforts to do away with ‘foreign music’ – which includes Western, Congolese and South African music.
dc.language en
dc.publisher Taylor & Francis Group
dc.subject Hybridity
dc.subject Muziki wa Injili
dc.subject Gospel music
dc.subject Church music
dc.subject Tanzania
dc.subject music hybridity
dc.subject music and globalisation
dc.subject Mercy Nyagwaswa
dc.title The practice and politics of hybrid soundscapes in Muziki wa Injili in Dar es Salaam, Tanzania
dc.type Journal Article


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