This study aimed to do a Critical Discourse Analysis of the representation of women in Bongo Flava music. The investigation based on the choice of words in the lyrics and the videos by male artists in representing women. It focused on how the choice of words contributes to stigmatization of Tanzanian women. It as well examined how BF videos represent Tanzanian women and analyzed the perception of the public on the representation of women in BF music. The study limited itself to five BF songs by male artists, released from 2008 to 2016. The study used CDA, a theory which regards language as a social practice and considers the context of a particular language to be very important. The research used a qualitative approach, purposively selecting specific BF works. The researcher collected data through observation, transcription and focus group discussions in which five BF songs by male artists were reviewed. Data were qualitatively analyzed by focusing on the choice of words in the lyrics by using Norman Fairclough’s three Dimensions of CDA and the videos by using Theo Van Leeuwen’s methods of analyzing visual representation. The results of this dissertation present stigmatization and oppression over women as an impact of values carried over by words and grammatical expressions in BF lyrics by male artists. The videos represent women as immoral, sexual instruments, decoration of videos for men’s pleasure, dependent and drug addicts. In focus group discussion, it was revealed that the public are disappointed by the portrayal of women. They detest the use of the impolite language to represent women as well as the way they design immoral videos which actually spoils the image of a woman. The findings may benefit linguists and scholars interested in understanding Critical Discourse Analysis.